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      Boralex / 2012 Annual Report
      MAC / Tousignant
      Musée d’art contemporain de Montréal (MAC)
      MBAM / Studios Art & Éducation

      • MAC / Leonard Cohen – A Crack in Everything

        Environment, Publishing

      • MBAM / Napoleon

        Publishing

      • McCord Museum / Balenciaga

        Promotion

      • Home Société / I am Many Things

        Branding, Promotion

      • Art Souterrain / True or False

        Promotion

      • Canada Post / Queen Elizabeth II

        Stamp

      • McCord Museum / Illusions – The art of magic

        Publishing

      • Eureka / Catalogue

        Publishing

      • Canada Post / Formula 1

        Stamp

      • Simplicim / Denturomax

        Packaging, Promotion

      • Trudeau Fondation / Annual Reports

        Publishing

      • Canada Post / Year of the Rooster

        Stamp

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        Branding

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        Environment, Promotion

      • Peter Lindbergh / A Different Vision on Fashion Photography

        Publishing

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        Branding

      • Stewart Museum / Curiosities

        Promotion, Publishing

      • Notabilia / 22 lettres imaginaires d’écrivains bien réels

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        Branding

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      • Maison Corbeil / 2015-2014 Catalogues

        Promotion

      • MBAM / Live Art Loud

        Promotion
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      Musée d’art contemporain de Montréal (MAC)

      MAC / Tousignant

      Promotion

      The Musée d’art contemporain de Montréal seeks to promote Quebec contemporary art and keep it alive. Thanks to its acquisitions, exhibitions, and various cultural activities, this institution also contributes to ensuring an international contemporary art presence in Quebec’s cultural landscape.

      In 2009, the Museum appealed to Paprika to design the promotional material surrounding the exhibition dedicated to Claude Tousignant, a Quebec artist whose avant-garde paintings are known worldwide for their aesthetics and pure lines. To achieve this mandate, we also drew inspiration from his famous painting Accélérateur chromatique. On the invitation card, we reproduced concentric stripes in alternate colors so as to recreate this famous work. We also created a geometrical font which is consistent with the massive and fine shapes of the painter’s canvasses.

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